
Wednesday, June 27, 2007
Chapter 10

Friday, June 22, 2007
Animal Farm movie and Chapter 9

ON FRIDAY!!!
Thursday, June 21, 2007
Chapters 7-8 Quiz
Wednesday, June 20, 2007
THEMES,MOTIFS, & SYMBOLS

Themes, motifs, and symbols of
ANIMAL FARM.
HOMEWORK:
-Do chapter 8 questions
-Study for quiz on Chapters 7-8
-NO READING TONITE!
Here is some of the stuff you should know:
THEMES
1. The Corruption of Socialist Ideals in the Soviet Union
• Retelling the story of the emergence and development of Soviet communism in the form of an animal fable, Animal Farm allegorizes the rise to power of the dictator Joseph Stalin.
• In novella, the overthrow of the human oppressor Mr. Jones by a democratic coalition of animals quickly gives way to the consolidation of power among the pigs.
• Much like the Soviet intelligentsia, the pigs establish themselves as the ruling class in the new society.
Snowball vs. Napoleon
•The struggle for a leadership position between Leon Trotsky and Stalin emerges in the rivalry between the pigs Snowball and Napoleon.
•In both the historical and fictional cases, the idealistic but politically less powerful figure (Trotsky and Snowball) is expelled from the revolutionary state by the malicious and violent overtaker of power (Stalin and Napoleon).
•The purges and show trials with which Stalin eliminated his enemies and solidified his political base find expression in Animal Farm as the false confessions and executions of animals whom Napoleon distrusts following the collapse of the windmill.
•Stalin’s tyrannical rule and eventual abandonment of the founding principles of the Russian Revolution are represented by the pigs’ turn to violent government and the adoption of human traits and behaviors, the trappings of their original oppressors.
FROM PIGS TO MEN
•The pigs have become more human day by day.
*By the end of the story, the pigs are walking upright on their hind legs, drinking alcohol, and carrying whips.
•Napoleon entertains his human neighbors and it is impossible to tell the pigs from the men.
WHAT ORWELL THOUGHT
•Although Orwell believed strongly in socialist ideals, he felt that the Soviet Union realized these ideals in a terribly perverse form.
•His novella creates its most powerful ironies in the moments in which Orwell depicts the corruption of Animalist ideals by those in power.
•For Animal Farm serves not so much to condemn tyranny the use of absolute power as to indict the horrifying hypocrisy of tyrannies that base themselves on, and owe their initial power to, ideologies of liberation and equality.
•The gradual changing and perversion of the Seven Commandments illustrates this hypocrisy with vivid force, as do Squealer’s elaborate philosophical justifications for the pigs’ blatantly unprincipled actions.
•Thus, the novella critiques the violence of the Stalinist regime against the human beings it ruled, and also points to Soviet communism’s violence against human logic, language, and ideals.
2. The Societal Tendency Toward Class Levels
•Animal Farm offers commentary on the development of class tyranny and the human tendency to maintain and reestablish class structures even in societies that allegedly stand for total equality.
•The novella illustrates how classes that are initially unified in the face of a common enemy, as the animals are against the humans, may become internally divided when that enemy is eliminated.
•The expulsion of Mr. Jones creates a power vacuum, and it is only so long before the next oppressor assumes totalitarian control. The natural division between intellectual and physical labor quickly comes to express itself as a new set of class divisions, with the “brainworkers” (as the pigs claim to be) using their superior intelligence to manipulate society to their own benefit.
3. The Danger of a Naïve Working Class
•One of the novella’s most impressive accomplishments is its portrayal not just of the figures in power but also of the oppressed people themselves.
•Animal Farm is not told from the perspective of any particular character, though occasionally it does slip into Clover’s consciousness. Rather, the story is told from the perspective of the common animals as a whole.
•Gullible, loyal, and hardworking, these animals give Orwell a chance to sketch how situations of oppression arise not only from the motives and tactics of the oppressors but also from the naïveté of the oppressed, who are not necessarily in a position to be better educated or informed.
•When presented with a dilemma, Boxer prefers not to puzzle out the implications of various possible actions but instead to repeat to himself, “Napoleon is always right.” Animal Farm demonstrates how the inability or unwillingness to question authority condemns the working class to suffer the full extent of the ruling class’s oppression.
4. The Abuse of Language as Instrumental to the Abuse of Power
•One of Orwell’s central concerns, in Animal Farm, is the way in which language can be manipulated as an instrument of control.
•In Animal Farm, the pigs gradually twist and distort rhetoric of socialist revolution to justify their behavior and to keep the other animals in the dark.
•The animals heartily embrace Major’s visionary ideal of socialism, but after Major dies, the pigs gradually twist the meaning of his words.
•As a result, the other animals seem unable to oppose the pigs without also opposing the ideals of the Rebellion.
•By the end of the novella, after Squealer’s repeated reconfigurations of the Seven Commandments in order to decriminalize the pigs’ treacheries, the main principle of the farm can be openly stated as “all animals are equal, but some animals are more equal than others.”
•This outrageous abuse of the word “equal” and of the ideal of equality in general typifies the pigs’ method, which becomes increasingly audacious as the novel progresses.
•Orwell’s sophisticated exposure of this abuse of language remains one of the most compelling and enduring features of Animal Farm, worthy of close study even after we have decoded its allegorical characters and events.
MOTIFS
Songs
•Animal Farm is filled with songs, poems, and slogans, including Major’s stirring “Beasts of England,” Minimus’s ode to Napoleon, the sheep’s chants, and Minimus’s revised anthem, “Animal Farm, Animal Farm.”
•All of these songs serve as propaganda, one of the major conduits of social control.
•By making the working-class animals speak the same words at the same time, the pigs evoke an atmosphere of grandeur and nobility associated with the recited text’s subject matter.
•The songs also erode the animals’ sense of individuality and keep them focused on the tasks by which they will purportedly achieve freedom.
State Ritual
•As Animal Farm shifts gears from its early revolutionary fervor to a phase of consolidation of power in the hands of the few, national rituals become an ever more common part of the farm’s social life.
•Military awards, large parades, and new songs all increase as the state attempts to reinforce the loyalty of the animals.
•The increasing frequency of the rituals bespeaks the extent to which the working class in the novella becomes ever more reliant on the ruling class to define their group identity and values.
SYMBOLS
Animal Farm
•Animal Farm, known at the beginning and the end of the novel as the Manor Farm, symbolizes Russia and the Soviet Union under Communist Party rule.
•But more generally, Animal Farm stands for any human society be it capitalist, socialist, fascist, or communist.
•It possesses the internal structure of a nation, with a government (the pigs), a police force or army (the dogs), a working class (the other animals), and state holidays and rituals. Its location amid a number of hostile neighboring farms supports its symbolism as a political entity with diplomatic concerns.
The Barn
•The barn at Animal Farm, on whose outside walls the pigs paint the Seven Commandments and, later, their revisions, represents the collective memory of a modern nation.
•The many scenes in which the ruling-class pigs alter the principles of Animalism and in which the working-class animals puzzle over but accept these changes represent the way an institution in power can revise a community’s concept of history to bolster its control.
•If the working class believes history to lie on the side of their oppressors, they are less likely to question oppressive practices. Moreover, the oppressors, by revising their nation’s conception of its origins and development, gain control of the nation’s very identity, and the oppressed soon come to depend upon the authorities for their communal sense of self.
The Windmill
•The great windmill symbolizes the pigs’ manipulation of the other animals for their own gain.
•Despite the immediacy of the need for food and warmth, the pigs exploit Boxer and the other common animals by making them undertake backbreaking labor to build the windmill, which will ultimately earn the pigs more money and thus increase their power.
•The pigs’ declaration that Snowball is responsible for the windmill’s first collapse constitutes psychological manipulation, as it prevents the common animals from doubting the pigs’ abilities and unites them against a supposed enemy.
•The ultimate conversion of the windmill to commercial use is one more sign of the pigs’ betrayal of their fellow animals.
•
From an allegorical point of view, the windmill represents the enormous modernization projects undertaken in Soviet Russia after the Russian Revolution.
Thursday, June 14, 2007
Chapter 7
Wednesday, June 13, 2007
Chapters 5-6 Quiz
Friday, June 8, 2007
Thursday, June 7, 2007
Chapter 6

Sunday, June 3, 2007
Thursday, May 31, 2007
Chapters 3-4 Quiz Today

They are responsible for some 60 million deaths. They ruled their countries with iron fists, squashing all dissent and directing government-sponsored programs of terror against their own citizens.
Drawing on the latest findings and expert analysis from leading psychologists and historians, HITLER AND STALIN: ROOTS OF EVIL examines the 20th century's worst villains. The parallels are striking: both had abusive fathers and doting mothers, both were extremely insecure about their physical appearance and ashamed of their backgrounds, and both came to power at roughly the same time. From Hitler's "Jewish nose" to Stalin's deformed foot, the Final Solution to the Gulags, this incisive special compares the backgrounds and policies of these two despots, interpreting the latest evidence and theories in the hopes of illuminating the personal, emotional and mental underpinnings of their actions.
Wednesday, May 30, 2007
Chapter 5

In Chapter Five, the strife between Napoleon and Snowball reaches its climax. The two pigs represent two divisions of a post-revolutionary government, one (symbolized by Snowball) the more intellectual, visionary, and idealistic, and the other (represented by Napoleon) more economically-minded and authoritarian. With the appearance of the young puppies, now trained into killer attack dogs by Napoleon, the animals give their first strong sense of Napoleon's ideological betrayal; the dogs were the resources of the farm, and Napoleon seized them and then turned them against the farm animals themselves.
The reactions of Mollie the mare and Boxer the cart-horse can be contrasted in Chapter Five. Mollie is unable (or unwilling) to stand the strain of the new Animal Farm workload, and her love of luxuries such as sugar lumps and ribbons incline her more toward contact with humans anyway. Her flight can be seen as a portrayal of the flight of pampered nobles after a revolution. Boxer, on the other hand, responds to Napoleon's increasing control by giving himself a new mantra, "Napoleon is always right." Here Orwell satirizes the blind, unthinking devotion of the masses toward the political figure they originally supported, despite the leader's devolution into tyranny.
Friday, May 18, 2007
Thursday, May 17, 2007
Animal Farm Quiz Next Class Chapters 1-2
Wednesday, May 16, 2007
Animal Farm Chapter 4

Friday, May 11, 2007
Animal Farm The Movie

In Chapter Three we begin to see the first unmistakable signs that the Revolution will drift away from the common animals' ideals, which were more aligned with Old Major's vision of a classless society. The exclusion of the pigs from the farm labor marks the beginnings of the social stratification which would have been anathema to Old Major. The animals go along with these developments out of fear that without the pigs, Mr. Jones will return, though these fears are implanted by Squealer, who early on recognizes the value of fear in persuading the animals.
Chapter Three also establishes the division between Snowball and Napoleon. Snowball is clearly the "thinker" of the movement, developing the flag-raising ritual and symbolism and creating the elaborate system of committees. To the reader, much of Snowball's activity seems benign, and even benevolent, as in the education efforts and improvement-minded groups like the Whiter Wool Movement for the sheep. These efforts establish Snowball as the symbolic descendant of Old Major's vision of animal life.
Napoleon, in contrast, becomes subtly malevolent in his interactions with the newborn puppies. Here, Orwell's use of perspective to create irony is significant. The scene (as is all of Animal Farm) is narrated from the unquestioning animals' point of view, and the narrator only remarks that Napoleon "kept [the puppies] in such seclusion that the rest of the farm soon forgot their existence". The tone of Orwell's animal perspective is, as always, noncommittal and unremarkable, but the more-perceptive reader is instantly alerted by this suspicious behavior on Napoleon's part, and is cued for the bolder violations which Napoleon will commit in subsequent chapters.
Thursday, May 10, 2007
Chapter 2

HOMEWORK:
- Finish chapter 2 questions
- Read chapter 3
NEXT CLASS PART 1 ANIMAL FARM MOVIE
Chapter Two: Analysis
With his death, Old Major symbolizes the idealistic, often intellectual or abstract vision that leads to a revolution. His death clears the path for other younger figures to seize the revolutionary fervor which is sweeping the farm and use it to propel themselves to position of power. Napoleon, Snowball, and Squealer are cleverer, sneakier, and more aggressive than the other animals, and they soon rise to power as the leaders of the revolutionary movement.
The other animals' hesitancy to accept the revolutionary ideology right away is symbolic of the peasants in Russia who were at first suspicious of the revolutionaries motives. The reservations they express, such as the plaint that "Mr. Jones feeds us. If he were gone, we would starve to death," symbolize the people's reluctance to abandon the security of their familiar forms of governance in favor of a self-determined, less secure future. Squealer's persuasive tactics in convincing the animals to unite in revolution symbolize the personable, persuasive speaking powers of a charismatic political leader.
The Seven Commandments are significant for their resounding censure not only of animal inequality, but less predictably of human habits at large. The first two and last two commandments are aimed at reinforcing the unity of the animal world and establishing some basic beliefs for the animals to share.
Commandments 3-5, which explicitly forbid the animals to engage in human activities such as sleeping in beds, wearing clothes, or drinking alcohol, are fundamentally different. With these Commandments, the animal society attaches a significance and prestige to these vestiges of human life that they might have not developed otherwise. With no taboos against wearing the Jones's clothes, for example, one can imagine a scenario where the animals wear the clothes briefly as a curiosity, with no harm done. By forbidding these acts, the Revolutionary leaders turn the items into signifiers of prestige and social standing, making the pigs' eventual adoption of human habits particularly disillusioning.
Wednesday, May 9, 2007
Chapter 1

Animal Farm is a satire on the Russian Revolution, and is one of the best 20th-century examples of allegory, an extended form of metaphor in which objects and persons symbolize figures that exist outside the text. As its title suggests, the setting for this fable-like novel is a farm, and the bulk of the characters are the farm animals themselves, all of whom symbolize various revolutionary figures or political ideologies.
The opening chapter introduces the theme of revolution that dominates
The first chapter contains many examples of the whimsy which is scattered throughout Animal Farm, most notably in the way Orwell describes the various farm animals in semi-human terms. We meet Clover, the mare "who never quite got her figure back after her fourth foal," an example of Orwell drawing attention to the very "animalness" of the farm animals by juxtaposing it with traditionally human characteristics and foibles. Orwell's writing style here, as throughout the novel, is plain, spare, and simple, a technique which emphasizes the fable aspect of Animal Farm; by using minimalist language and short, simple sentence structure, Orwell draws the reader's attention to the animals' perspective, a point of view which will lead to great irony as the revolution unfolds.
Friday, May 4, 2007
ANIMAL FARM
Wednesday, April 25, 2007
Ship trap map project...
Friday, April 20, 2007
The Most Dangerous Map Project
