Today I showed you a power point slide show about Russia
and how it similar to Animal farm.
HOMEWORK:
-Finish Chapter 5 Questions
Chapter Five: Analysis
In Chapter Five, the strife between Napoleon and Snowball reaches its climax. The two pigs represent two divisions of a post-revolutionary government, one (symbolized by Snowball) the more intellectual, visionary, and idealistic, and the other (represented by Napoleon) more economically-minded and authoritarian. With the appearance of the young puppies, now trained into killer attack dogs by Napoleon, the animals give their first strong sense of Napoleon's ideological betrayal; the dogs were the resources of the farm, and Napoleon seized them and then turned them against the farm animals themselves.
In Chapter Five, the strife between Napoleon and Snowball reaches its climax. The two pigs represent two divisions of a post-revolutionary government, one (symbolized by Snowball) the more intellectual, visionary, and idealistic, and the other (represented by Napoleon) more economically-minded and authoritarian. With the appearance of the young puppies, now trained into killer attack dogs by Napoleon, the animals give their first strong sense of Napoleon's ideological betrayal; the dogs were the resources of the farm, and Napoleon seized them and then turned them against the farm animals themselves.
Squealer's role becomes more central to the political development of the farm in these scenes as well. His persuasive abilities are now used exclusively to pacify the animals after each of Napoleon's disturbing proclamations. In this sense, Squealer functions as the charismatic and eloquent mouth-piece of the increasingly tyrannical government that Napoleon quickly puts in place.
The reactions of Mollie the mare and Boxer the cart-horse can be contrasted in Chapter Five. Mollie is unable (or unwilling) to stand the strain of the new Animal Farm workload, and her love of luxuries such as sugar lumps and ribbons incline her more toward contact with humans anyway. Her flight can be seen as a portrayal of the flight of pampered nobles after a revolution. Boxer, on the other hand, responds to Napoleon's increasing control by giving himself a new mantra, "Napoleon is always right." Here Orwell satirizes the blind, unthinking devotion of the masses toward the political figure they originally supported, despite the leader's devolution into tyranny.